Finally,
having found the treasure
of a
parking spot at the Memorial
Art
Gallery remote lot, I walk
across
the front of the grand
old building,
past the metal
sculpted
penguins, the shiny silver
cubes,
the abstract dancers, through
the
tall glass doors, past the indoor
sunken sculpture
garden, then up
the
stairs to a third floor office. I
stand amidst
a small collection of
prints,
available only to patrons,
in
return for their past support.
From the
vast array of artists
(whose various
styles hint at
the
gallery’s collection), I get to
choose
one piece. Why do I almost
never choose
nature, and almost
always
choose faces? I browse
and
peruse, over and over—
then choose
this odd jester or
clown, depicted
neither happy
nor sad—but
strikingly neutral,
calm, open,
and masculine, for
a change. The clerk packs my
a change. The clerk packs my
print in
a large hard envelope
and nods
me a kind dismissal.
One
second out the door, I pass
in the
hall an uncanny female version
of the joker
in my print. She, in her
puffed polka
dot outfit, looks me straight
in the
eyes, pauses, as if to ask, why him--
then
disappears to my right.
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